Kazoo! Fest reviews: The While @Guelph Green Party Office April 5

The While performing from behind a shadow screen at Kazoo! Fest's Green Party Office pop up venue. (Photo by Tom Beedham)

The While performing from behind a shadow screen at Kazoo! Fest’s Green Party Office pop up venue. (Photo by Tom Beedham)

If you said The While hid behind a screen for their opening slot at Kazoo! Fest’s Guelph Green Party office pop up venue, you wouldn’t be entirely wrong. Camera tricks, mood lighting, video, and a shadow screen were all called upon by the band of visual artists to blur the line between themselves and infinity. The special effects made them look bigger than they physically are in terms of headcount and equipment stock, but whether that was as a defense mechanism or just a proper representation of their essence was a debate given legitimacy as they looped not just their visual presence but their instrumentation as well. Adding their visual presence to a foreboding brand of indie folk that relies on a sound mix of foreboding contralto vocals, xylophones, organ, and drums, it was surrealism for your eyes and your ears.


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About Tom Beedham

Tom Beedham is a Canadian writer and photographer whose work focuses on independent culture, experimental art, DIY communities, and their relationship to the mainstream. He has reported on a spectrum of creatives ranging from emerging acts to the definitive voices of cultural movements. He lives in Toronto, Ontario. He has contributed features to Exclaim!, NOW, A.Side (formerly AUX), Chart Attack, and VICE publications Noisey and THUMP, and has appeared as a correspondent on Daily VICE. Tom is also a co-organizer and curator of the inter-arts series Long Winter, for which he has overseen the publication of an online blog and print newspaper-style community publication, and, in collaboration with Lucy Satzewich, implemented harm reduction strategies for safer event spaces. From 2006-2012, he was Editor-in-Chief of Halton, ON -based youth magazine The Undercroft and served as an outreach worker for parent organization Peer Outreach Support Services and Education (POSSE) Project. He was also a DIY concert organizer in his hometown Georgetown, ON in the mid-2000s.

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