WL14 reviews: Most People @ Adelaide Hall – Feb. 14, 2014

By Tom Beedham

Most People filled in lineup space left empty when originally scheduled headliner Marnie Stern was forced to cancel her Wavelength Music Festival appearance due to the snow storm in New York. Photo: Tom Beedham

Most People filled in lineup space left empty when originally scheduled headliner Marnie Stern was forced to cancel her Wavelength Music Festival appearance due to the snow storm in New York. Photo: Tom Beedham

After Matrox unsuccessfully ordered the audience to disperse, Wavelength 2013 Artist Incubator participant Most People subbed in to fill a set gap left by originally headlining but New York-snowbound Marnie Stern.

For the most part, their turn at the stage saw them breathing new life into tracks from their 2012 self-titled debut, taking the hushed pop psychedelia and pumping it full of percussive enthusiasm, guitarist Paul McEachern and bassist Brandon Gibson-DeGroote seeding the stage with their fair share of drumstick shrapnel as they traded off drum duties and with them their turns at bringing physically and technically aggressive wails to all sides of their floor toms.

The heavier take on the older material might have something to do with a new direction the band’s been exploring. Most People revealed two new songs to the Wavelength audience, one of them a darker new wave listening experience for which Gibson-DeGroote requested the audience recall the opening scene of the film that heavily inspired it, The Terminator. But as to whether the harder hitting feel of the band’s live performance at Wavelength is something we’ll see carrying over to future recordings or if it’s something they’re reserving strictly for concerts is ultimately something we’ll have to wait and hear on, well, recordings.

More photos:
Most People @ Adelaide Hall for WL14 - Feb. 14, 2014. Photo: Tom Beedham Most People @ Adelaide Hall for WL14 - Feb. 14, 2014. Photo: Tom Beedham Most People @ Adelaide Hall for WL14 - Feb. 14, 2014. Photo: Tom Beedham Most People @ Adelaide Hall for WL14 - Feb. 14, 2014. Photo: Tom Beedham Most People @ Adelaide Hall for WL14 - Feb. 14, 2014. Photo: Tom Beedham Most People @ Adelaide Hall for WL14 - Feb. 14, 2014. Photo: Tom Beedham Most People @ Adelaide Hall for WL14 - Feb. 14, 2014. Photo: Tom Beedham Most People @ Adelaide Hall for WL14 - Feb. 14, 2014. Photo: Tom Beedham

Originally published by Aesthetic Magazine.

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About Tom Beedham

Tom Beedham is a Canadian writer and photographer whose work focuses on independent culture, experimental art, DIY communities, and their relationship to the mainstream. He has reported on a spectrum of creatives ranging from emerging acts to the definitive voices of cultural movements. He lives in Toronto, Ontario. He has contributed features to Exclaim!, NOW, A.Side (formerly AUX), Chart Attack, and VICE publications Noisey and THUMP, and has appeared as a correspondent on Daily VICE. Tom is also a co-organizer and curator of the inter-arts series Long Winter, for which he has overseen the publication of an online blog and print newspaper-style community publication, and, in collaboration with Lucy Satzewich, implemented harm reduction strategies for safer event spaces. From 2006-2012, he was Editor-in-Chief of Halton, ON -based youth magazine The Undercroft and served as an outreach worker for parent organization Peer Outreach Support Services and Education (POSSE) Project. He was also a DIY concert organizer in his hometown Georgetown, ON in the mid-2000s.

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