WL14 reviews: Elaquent @ The Garrison – Feb. 16, 2014

By Tom Beedham

Elaquent @ The Garrison for WL14 - Feb. 16, 2014. Photo: Tom Beedham

Elaquent @ The Garrison for WL14 – Feb. 16, 2014. Photo: Tom Beedham

For the most part, Wavelength reserved the initial slots at the top of each of the festival’s proper concert lineups for acts that were stylistically divergent from the other performers with which they would share their stages, giving festivalgoers that turned out early a reward both refreshing and unexpected. With Guelph, ON producer Sona Elango’s instrumental hip-hop beat project Elaquent, there was no exception. As audiences filtered into The Garrison’s cavernous concert hall, they stumbled upon a pastiche of diverse sound references to everything from noisy mechanical processes, glitches, 8-bit video games, compressing hydraulics, and lasers, to percolating synths and twinkling atmospheres (think DJ Bucktown meeting Four Tet backstage in a particularly plush green room). And while the set wasn’t a visually engaging performance—for the most part Elango stood stoically with his head down so as to manage the technical processing of his sampled material—those that did show up to realize the fullest worth of their concert passes wandered over to the front of the stage to pay the music the respect and curiosity it deserved.

Originally published by Aesthetic Magazine.

This entry was posted in Burden of Salt and tagged , , , , on by .

About Tom Beedham

Tom Beedham is a Canadian writer and photographer whose work focuses on independent culture, experimental art, DIY communities, and their relationship to the mainstream. He has reported on a spectrum of creatives ranging from emerging acts to the definitive voices of cultural movements. He lives in Toronto, Ontario. He has contributed features to Exclaim!, NOW, A.Side (formerly AUX), Chart Attack, and VICE publications Noisey and THUMP, and has appeared as a correspondent on Daily VICE. Tom is also a co-organizer and curator of the inter-arts series Long Winter, for which he has overseen the publication of an online blog and print newspaper-style community publication, and, in collaboration with Lucy Satzewich, implemented harm reduction strategies for safer event spaces. From 2006-2012, he was Editor-in-Chief of Halton, ON -based youth magazine The Undercroft and served as an outreach worker for parent organization Peer Outreach Support Services and Education (POSSE) Project. He was also a DIY concert organizer in his hometown Georgetown, ON in the mid-2000s.

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