NXNE Review: Program @ The Garrison, June 12, 2013

Program played a small crowd at The Garrison as a part of NXNE on June 12. (Photo: Tom Beedham)

Program played a small crowd at The Garrison as a part of NXNE on June 12. (Photo: Tom Beedham)

Fitting in equally with Toronto’s apparent new wave (but not New Wave) of shoegaze bands and the recent realization of post-post-punk revival (can we just call them post-punk?) groups that seem to be popping up widely across the western world (and thus the Venn diagram of circles interested in hearing those forms collide), Program builds songs by methodically magnifying the impact of their smaller elements. They start small, arresting a bar for your initial consideration, and then inflating it with chord variations, pedal effects, and the addition of complimentary instrumental parts – all until they’ve arrived at a lapping, atmospheric wall of sound with plenty of introspective appeal.

Playing the generously cavernous and frankly underused space at the back of The Garrison, Program played to a relatively small (albeit captivated) audience on June 12, but the poor turnout wasn’t all a bad omen for the group; the thinned crowd just seemed to allow the delay-heavy guitar, keyboard and bass sounds that Program relies on a new, more physical route to warp-echoing their way into infinity.

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About Tom Beedham

Tom Beedham is a Canadian writer and photographer whose work focuses on independent culture, experimental art, DIY communities, and their relationship to the mainstream. He has reported on a spectrum of creatives ranging from emerging acts to the definitive voices of cultural movements. He lives in Toronto, Ontario. He has contributed features to Exclaim!, NOW, A.Side (formerly AUX), Chart Attack, and VICE publications Noisey and THUMP, and has appeared as a correspondent on Daily VICE. Tom is also a co-organizer and curator of the inter-arts series Long Winter, for which he has overseen the publication of an online blog and print newspaper-style community publication, and, in collaboration with Lucy Satzewich, implemented harm reduction strategies for safer event spaces. From 2006-2012, he was Editor-in-Chief of Halton, ON -based youth magazine The Undercroft and served as an outreach worker for parent organization Peer Outreach Support Services and Education (POSSE) Project. He was also a DIY concert organizer in his hometown Georgetown, ON in the mid-2000s.

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