Hillside reviews: Colin Stetson at Guelph Lake Island Stage – July 28, 2013

Colin Stetson performed at Hillside Festival in Guelph, Ont. July 18. Photo: Tom Beedham

Colin Stetson performed at Hillside Festival in Guelph, Ont. July 18. Photo: Tom Beedham

Having released the completion to his New History Warfare trilogy in April and subsequently earned a second shortlisting for the 2013 Polaris Prize, it came with no surprise that the Island Stage tent at Guelph Lake was packed for Colin Stetson’s Hillside performance.

Even if the festival horde that assembled around the stage at Hillside had done so on the grounds of base curiosity and the ambiguity of the invisible sounds provided by Stetson’s recordings failed to establish him as a force to be reckoned with in their minds beforehand, his live performance likely confirmed his status as a one-man orch-rock army.

With less than an hour of stage time at his disposal, Stetson delivered only a handful of his surreally affected sax drones at Hillside Festival, but he still managed to showcase three songs from each of the latter two volumes of the New History Warfare.

Opening with “Among the Sef,” the mournful alto-sax supported ode to octopi that didn’t have much luck coming on land, Stetson set the tone for the ironically elate crowd that would receive his afternoon performance.

He followed the song by picking up his century-old bass-sax and strapping on his throat mic for a medleyed version of the New History Warfare Vol. 2: Judges title track, a rendition that also delivered portions of “Home” and “Fear Of The Unknown And The Blazing Sun.”

Next was another bass-sax rendered number, “High Above A Grey Green Sea,” introduced with just a brief mention of the infamous 52-hertz “Loneliest Whale In The World” cetacean whose song cannot be registered by other whales (he instructed the crowd to do their own research). Stetson has dedicated the song to the sea creature since a friend told him it called into mind the whispered stories of the elusive whale.

Perhaps as a nod to the closing of his trilogy’s narrative, Stetson closed the set with the title track from New Histroy Warfare Vol. 3: To See More Light.

At the end of the day, Stetson also participated in an improvised collaborative workshop with Sonic Youth member Lee Ranaldo and his new band The Dust, as well as Little Scream, fellow Arcade Fire/Bell Orchestre bandmates Sarah Neufeld, Richard Reed Parry and Stefan Schneider  (read the review here).

“Among the Sef”
“Judges” (including “Home” and “Fear Of The Unknown And The Blazing Sun” medley)
“High Above A Grey Green Sea”
“To See More Light”

Related posts:
Hillside reviews: Supersonic (Lee Ranaldo and The Dust, Colin Stetson, Richard Reed Parry, Sarah Neufeld +guests) at Guelph Lake Island Stage – July 28, 2013

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About Tom Beedham

Tom Beedham is a Canadian writer and photographer whose work focuses on independent culture, experimental art, DIY communities, and their relationship to the mainstream. He has reported on a spectrum of creatives ranging from emerging acts to the definitive voices of cultural movements. He lives in Toronto, Ontario. He has contributed features to Exclaim!, NOW, A.Side (formerly AUX), Chart Attack, and VICE publications Noisey and THUMP, and has appeared as a correspondent on Daily VICE. Tom is also a co-organizer and curator of the inter-arts series Long Winter, for which he has overseen the publication of an online blog and print newspaper-style community publication, and, in collaboration with Lucy Satzewich, implemented harm reduction strategies for safer event spaces. From 2006-2012, he was Editor-in-Chief of Halton, ON -based youth magazine The Undercroft and served as an outreach worker for parent organization Peer Outreach Support Services and Education (POSSE) Project. He was also a DIY concert organizer in his hometown Georgetown, ON in the mid-2000s.

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